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My Story

How I found glass,
and why I'll never let it go.

I found I could say things with color and shapes that I couldn't say any other way — things I had no words for.

— Georgia O'Keeffe
Fused glass girl based on Angela's watercolor painting

My Beginning

I'm Angela, the artist behind Angela's Glass Studio. I've always been drawn to color and light. But I didn't grow up thinking I was an "artist." It just wasn't something I believed about myself.

But I never forgot a glass project I made in a school art class. Something about it stuck with me in a quiet, persistent way. Years later, when I was a stay-at-home mom looking for something creative to do, that memory resurfaced… and I decided to try it again.

That one decision changed my life.

I'm largely self-taught, learning through trial and error and the early days of online glass forums. I made plenty of mistakes, broke things, overfired things, underfired things... but I learned from every single one. Over time, I built my skills through stained glass, fusing glass, and more dimensional, sculptural work.

I had such a natural connection to glass. It was part of me.

After a move, I went about five years without a glass studio. That stretch pushed me somewhere unexpected. I started drawing and painting. Mixed media, acrylic, watercolor, anything I could get my hands on. I started to believe that maybe... I was an artist. Not just someone making things.

That art exploration now shows up in my glasswork. I think in layers, in movement, in color relationships like the way I would with paint. Glass became less about assembling pieces and more about creating something that feels alive.

The Studio

My studio is where experimentation lives. It's a space built around possibility. Shelves of glass in every color and texture, tools worn from years of use, and a warmth that comes from years of making things you love.

Every work begins here, whether it's a small accent piece or a large architectural commission. I work across multiple techniques: stained glass, glass fusing, and more expressive dimensional work. The studio allows me to explore all of them and more.

For me, the studio isn't just where I make things. It's where I think, where I solve problems, where I stay curious, and where I feel joy when a work is completed. Every piece that leaves here carries a little of that with it.

Studio photo
Studio photo
Studio photo
Studio photo
Study with Narcissus Quagliata
Boiled glass work

Study with Narcissus Quagliata

A major turning point in my work came from studying with Narcissus Quagliata, a world-renowned artist known for pushing the boundaries of what glass can be and say. That experience expanded everything for me. Not just in technique, but in how I think about the medium entirely.

Through his teaching, I explored new approaches to creating movement, depth, and texture. Working with frit, reactive glass, and pre-made elements in ways I hadn't before. His approach to glass is expressive and fearless, and it gave me permission to loosen up, trust the process, and let the work breathe.

But beyond the techniques, it was the conversations that left the most lasting mark. His philosophies about being an artist, the history of art and glass, and his many stories changed how I view everything.

I don't see glass as just a material anymore. I see it as a way to capture the light.

I'm more curious now than when I started.

Today, my work blends structure and spontaneity. Some pieces are clean and graphic. Others are organic and expressive. All of them are shaped by years of experimentation, curiosity, and a willingness to keep learning. I didn't start out believing I was an artist... but somewhere along the way, through glass, painting, broken pieces, and persistence, I became one.